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DTSTART;TZID=America/New_York:20190112T200000
DTEND;TZID=America/New_York:20190112T220000
DTSTAMP:20260411T071014
CREATED:20180126T162046Z
LAST-MODIFIED:20190110T211056Z
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SUMMARY:Beethoven's Emperor & Mahler 5
DESCRIPTION:Join the Richmond Symphony and guest artist Orion Weiss on piano\, for a breathtaking evening of musical excellence. This Altria Masterworks concert features Beethoven’s Piano Concerto No. 5 Opus 73 “Emperor\,” as well as the epic masterpiece that is Mahler’s Symphony No. 5 in C-Sharp Minor. \nBeethoven wrote this concerto while Vienna was under siege by Napoleon’s armies. “What a disturbing\, wild life all around me\,” Beethoven wrote to his publisher\, “nothing but drums\, cannons\, men\, misery of all sorts.” The piece has a wide dynamic range that opens with a striking first movement\, settles into a serene hymn-like adagio\, and moves through to a triumphant rondo finale. \nWhen Gustav Mahler conducted the first performance of his Fifth Symphony in 1904\, it was described as “the giant symphony\,” due to the immense demands placed on the orchestra. The first movement is a sort of funeral march. It begins with a single trumpet announcing the main theme. The entire orchestra eventually takes up this theme\, building to a powerful climax before yielding to a more lyrical\, plaintive melody. Eventually\, the lighthearted waltz crashes its way back in and struggles with the darker theme\, prevailing triumphantly at the end. The piece moves from sorrow to joy through epic swells of orchestral participation. \nOrion Weiss is one of the most sought-after soloists in his generation of young American musicians.His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. \nLearn more about Orion Weiss\, Piano.\nLearn more about Steven Smith\, Conductor. \nProgram Notes \n  \n  \nSeries Sponsor \nConcert Sponsor \nMedia Sponsor \n  \n  \n  \n  \n  \n 
URL:https://www.richmondsymphony.com/event/beethovens-emperor-mahler-5/
LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States
CATEGORIES:Masterworks Series
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DTSTART;TZID=America/New_York:20190113T150000
DTEND;TZID=America/New_York:20190113T170000
DTSTAMP:20260411T071014
CREATED:20180126T170105Z
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SUMMARY:Beethoven's Emperor & Mahler 5
DESCRIPTION:Due to expected inclement weather and for the overall safety of our patrons\, musicians\, and event staff\, the Richmond Symphony is cancelling its Altria Masterworks Beethoven Emperor & Mahler 5 Concert on SUNDAY\, January 13th at 3:00pm. We will be reaching out to ticket-holders via e-mail or phone to discuss alternative ticketing options. \nOur Altria Masterworks Concert on Saturday\, January 12th at 8:00pm will continue as scheduled. Click the Buy Tickets link above to purchase tickets for Saturday’s performance. \n\n\n  \nIf you have any questions\, feel free to contact Patron Services via phone at 804-788-1212 x2 or e-mail at patronservices@richmondsymphony.com. \n\nWe thank you for your patronage\, support\, and understanding. \n\n\n\n\n  \n  \nJoin the Richmond Symphony and guest artist Orion Weiss on piano\, for a breathtaking evening of musical excellence. This Altria Masterworks concert features Beethoven’s Piano Concerto No. 5 Opus 73 “Emperor\,” as well as the epic masterpiece that is Mahler’s Symphony No. 5 in C-Sharp Minor. \nBeethoven wrote this concerto while Vienna was under siege by Napoleon’s armies. “What a disturbing\, wild life all around me\,” Beethoven wrote to his publisher\, “nothing but drums\, cannons\, men\, misery of all sorts.” The piece has a wide dynamic range that opens with a striking first movement\, settles into a serene hymn-like adagio\, and moves through to a triumphant rondo finale. \nWhen Gustav Mahler conducted the first performance of his Fifth Symphony in 1904\, it was described as “the giant symphony\,” due to the immense demands placed on the orchestra. The first movement is a sort of funeral march. It begins with a single trumpet announcing the main theme. The entire orchestra eventually takes up this theme\, building to a powerful climax before yielding to a more lyrical\, plaintive melody. Eventually\, the lighthearted waltz crashes its way back in and struggles with the darker theme\, prevailing triumphantly at the end. The piece moves from sorrow to joy through epic swells of orchestral participation. \nOrion Weiss is one of the most sought-after soloists in his generation of young American musicians.His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. \nLearn more about Orion Weiss\, Piano.\nLearn more about Steven Smith\, Conductor. \nProgram Notes \n  \n  \nSeries Sponsor \nConcert Sponsor \nMedia Sponsor \n  \n  \n  \n  \n 
URL:https://www.richmondsymphony.com/event/beethovens-emperor-mahler-5-2/
LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States
CATEGORIES:Masterworks Series
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DTSTART;TZID=America/New_York:20190127T150000
DTEND;TZID=America/New_York:20190127T170000
DTSTAMP:20260411T071014
CREATED:20180126T173956Z
LAST-MODIFIED:20190107T173354Z
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SUMMARY:Metro Collection 2
DESCRIPTION:Enjoy classical music in an intimate setting. Metro concerts feature smaller scale works from the classical repertoire and newer pieces by contemporary composers. Richmond Symphony musicians are often featured soloists.  \nThe Symphony No. 25 in G Minor is only one of two symphonies that Mozart wrote in a minor key\, out of the nearly one hundred he composed. Mozart experimented with using the Sturm und Drang (Storm and Stress) musical trend in a symphony setting. The trend was a reaction to the cool rationalism of the Enlightenment and gave free expression to extreme emotion. The piece is saturated with stormy emotion\, interspersed with lighter themes throughout the movements; contrast is a hallmark of Sturm und Drang. \nDebussy’s La boîte à joujoux (The Toy Box) is based off a children’s book by the same title. Writing the first two scenes came easily for Debussy by extracting secrets from his daughter’s old dolls\, but he confessed the third scene was causing him some trouble: “The soul of a doll is more mysterious than even [poet and playwright] Maeterlinck imagines; it doesn’t easily tolerate the kind of humbug so many human souls put up with.” \nFanny Mendelssohn’s only known purely orchestral work is Overture in C. It begins with a quiet serenity that eventually bursts into an ebullience that can only be associated with the Mendelssohn name. The standard of the times\, her family and brother\, famed composer Felix Mendelssohn\, discouraged Fanny’s compositional aspirations. With the support of her husband\, a painter\, she began to publish her works. Just a year later\, she died from a stroke\, leaving over 500 compositions unpublished. \nA gamelan is an Indonesian orchestra made up of gongs and keyed metal instruments resembling our marimbas and xylophones. Born to a family of artists in Pengosekan village in Bali\, Dewa Ketut Alit was immersed in Balinese gamelan from early childhood. He is generally acknowledged as the leading composer of his generation in Bali. He says this of his piece Open My Door: “I want to push open a door\, entering new spaces. I’m on the road looking for the relationship between gamelan music and western music.” \nLearn more about Steven Smith\, Conductor. \nProgram Notes \n  \nSeries Sponsor \nConcert Sponsor \n  \n  \n 
URL:https://www.richmondsymphony.com/event/metro-collection-2-2/
LOCATION:Blackwell Auditorium at Randolph-Macon College\, 	204 Henry Street\, Ashland\, VA\, 23005\, United States
CATEGORIES:Metro Series
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