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DTSTART;TZID=America/New_York:20190413T200000
DTEND;TZID=America/New_York:20190413T220000
DTSTAMP:20260408T042139
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SUMMARY:Influence of the World: The Tucker-Boatwright Concert
DESCRIPTION:As a grand finale to conclude the University of Richmond’s Tucker-Boatwright Festival\, the Richmond Symphony Orchestra and Chorus will present a concert of works inspired by non-Western traditions featuring the world premiere of a new work for chorus and orchestra by Reena Esmail as part of our Altria Masterworks series. \nDespite disliking the term “impressionism” applied to his music\, Debussy describes his three Nocturnes in almost painterly terms: Nuages (Clouds) renders the immutable aspect of the sky and the slow\, solemn motion of the clouds\, fading away in gray tones slightly tinged with white. Fetes (Festivals) gives us the vibrating\, dancing rhythm of the atmosphere with sudden flashes of light. But the background remains persistently the same: the festival with its blending of music and luminous dust participating in the rhythm. Sirenes (Sirens) depicts the sea and its innumerable rhythm. Among the waves\, silvered by moonlight is heard the mysterious song of the Sirens as they laugh and pass on. Work on the Nocturnes was not easy for Debussy. His personal life was a wreck. In financial trouble and broken up from his longtime mistress\, he wrote\, “The three Nocturnes have been infected by my private life\, first full of hope\, then full of despair\, and then full of nothing!” \nLike Debussy\, Ravel is classified as an impressionist composer. His Rapsodie espagnole\, is saturated with musical color; almost as breathtaking as the color of the impressionist painters. There is a certain vagueness of form in the music that is reminiscent of Monet and Turner. “Suggestion and atmosphere” are key ideas for the musical impressionists. Ravel’s fascination with Spanish culture is heard throughout the piece\, permeated with the flavors of Spanish music. \nIn the late 1920s\, the Canadian composer Colin McPhee “quite by accident heard [a] few gramophone records that were to change [his] life completely. The clear\, metallic sounds were like the stirring of a thousand bells\, delicate\, confused\, with a sensuous charm\, a mystery that was quite overpowering.” McPhee moved to Bali where he quickly absorbed the culture. He started incorporating Balinese materials into his own music. Tabuh-Tabuhan was his first large-scale orchestral work to use Balinese musical material. Interested in fusing western orchestral traditions with Balinese motifs\, McPhee considers it a purely personal work. \nLearn more about Joanne Kong\, Keyboard.\nLearn more about Paul Hanson\, Piano.\nLearn more about Reena Esmail\, Guest Composer.\nLearn more about Steven Smith\, Conductor. \nProgram Notes \n  \nSeries Sponsor \nConcert Sponsor \nConcert Partner \nMedia Sponsor \n  \n  \n  \n  \n  \n 
URL:https://www.richmondsymphony.com/event/influence-world-tucker-boatwright-concert/
LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States
CATEGORIES:Masterworks Series
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DTSTART;TZID=America/New_York:20190414T150000
DTEND;TZID=America/New_York:20190414T170000
DTSTAMP:20260408T042139
CREATED:20180126T172505Z
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SUMMARY:Influence of the World: The Tucker-Boatwright Concert
DESCRIPTION:As a grand finale to conclude the University of Richmond’s Tucker Boatwright Festival\, the Richmond Symphony Orchestra and Chorus will present a concert of works inspired by non-Western traditions featuring the world premiere of a new work for chorus and orchestra by Reena Esmail\, as part of our Altria Masterworks series. \nDespite disliking the term “impressionism” applied to his music\, Debussy describes his three Nocturnes in almost painterly terms: Nuages (Clouds) renders the immutable aspect of the sky and the slow\, solemn motion of the clouds\, fading away in gray tones slightly tinged with white. Fetes (Festivals) gives us the vibrating\, dancing rhythm of the atmosphere with sudden flashes of light. But the background remains persistently the same: the festival with its blending of music and luminous dust participating in the rhythm. Sirenes (Sirens) depicts the sea and its innumerable rhythm. Among the waves\, silvered by moonlight is heard the mysterious song of the Sirens as they laugh and pass on. Work on the Nocturnes was not easy for Debussy. His personal life was a wreck. In financial trouble and broken up from his longtime mistress\, he wrote\, “The three Nocturnes have been infected by my private life\, first full of hope\, then full of despair\, and then full of nothing!” \nLike Debussy\, Ravel is classified as an impressionist composer. His Rapsodie espagnole\, is saturated with musical color; almost as breathtaking as the color of the impressionist painters. There is a certain vagueness of form in the music that is reminiscent of Monet and Turner. “Suggestion and atmosphere” are key ideas for the musical impressionists. Ravel’s fascination with Spanish culture is heard throughout the piece\, permeated with the flavors of Spanish music. \nIn the late 1920s\, the Canadian composer Colin McPhee “quite by accident heard [a] few gramophone records that were to change [his] life completely. The clear\, metallic sounds were like the stirring of a thousand bells\, delicate\, confused\, with a sensuous charm\, a mystery that was quite overpowering.” McPhee moved to Bali where he quickly absorbed the culture. He started incorporating Balinese materials into his own music. Tabuh-Tabuhan was his first large-scale orchestral work to use Balinese musical material. Interested in fusing western orchestral traditions with Balinese motifs\, McPhee considers it a purely personal work. \nLearn more about Joanne Kong\, Keyboard.\nLearn more about Paul Hanson\, Piano.\nLearn more about Steven Smith\, Conductor. \nProgram Notes \n  \nSeries Sponsor \nConcert Sponsor \nConcert Partner \nMedia Sponsor \n  \n  \n  \n  \n  \n 
URL:https://www.richmondsymphony.com/event/influence-world-tucker-boatwright-concert-2/
LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States
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