BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Richmond Symphony - ECPv6.15.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Richmond Symphony X-ORIGINAL-URL:https://www.richmondsymphony.com X-WR-CALDESC:Events for Richmond Symphony REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20260530T150000 DTEND;TZID=America/New_York:20260530T150000 DTSTAMP:20260625T015554 CREATED:20250315T210752Z LAST-MODIFIED:20260526T193656Z UID:33480-1780153200-1780153200@www.richmondsymphony.com SUMMARY:Stars & Stripes Forever DESCRIPTION:As America approaches its 250th anniversary\, the Richmond Symphony celebrates the spirit\, spectacle\, and sound of a nation through an afternoon of orchestral favorites and patriotic classics. Led by Hae Lee\, this vibrant program journeys from the sweeping drama of Giuseppe Verdi and Gioachino Rossini to the colorful energy of Alexander Borodin’s Polovtsian Dances. At the center of the program is a joyous tribute to America’s legendary “March King\,” John Philip Sousa. Featuring beloved marches including The Washington Post\, Hands Across the Sea\, The Thunderer\, and the iconic Stars and Stripes Forever\, this concert honors the enduring traditions\, optimism\, and grandeur of American music. \n \n\n \n \n Program Notes by Thomas May \n \n\n \n \n \n John Philip Sousa (1854–1932)\, the son of a Spanish-born father of Portuguese heritage and Bavarian mother\, grew up in a lively blend of immigrant traditions — a background that helped shape the broad\, inclusive musical outlook of the composer who now seems to pulse through the American musical bloodstream.  \nHis marches have become part of the national soundscape — woven into parades\, celebrations\, halftime shows\, and the enormous marching-band tradition that thrives in schools and communities across the country.   \n“Sousa is a truly important component of the American sound\,” says Music Director Valentina Peleggi. “The Richmond Symphony’s Sousa program is part of our celebration in 2026 of the 250th anniversary of the signing of the Declaration of Independence.” This concert pays tribute not only to Sousa the composer\, but to Sousa the touring conductor. The first half presents popular orchestral pieces he loved to include\, while after intermission we hear music by Sousa himself — all presented in arrangements for symphony orchestra.  \nA Sousa concert in its prime was a curated whirlwind: grand opera to fire the imagination\, orchestral blockbusters to show off the ensemble\, a star soloist to wow the crowd\, and then a parade of marches to send everyone home humming. He knew exactly how to shape a program — no surprise from the man who became known as the “March King.”  \nSousa knew how effective it was to kick off with operatic overtures\, often presented in band arrangements on his own tours. Verdi’s irresistible Overture to La Forza del Destino\, composed in 1869 for a revised version of his sweeping tragic saga\, fits the bill perfectly. The fateful opening motif\, lyrical middle section\, and electrifying finale condense an entire world of operatic drama into a tightly crafted curtain-raiser. Many listeners in Sousa’s day knew Verdi’s tunes by heart; hearing them delivered with orchestral sweep set the tone for a night of high spirits.  \nSousa also understood the appeal of transporting audiences somewhere beyond their everyday surroundings: hence the Polovtsian Dances from Alexander Borodin’s Prince Igor. Drawn from one of the great landmarks of 19th-century Russian opera\, the dances — with their sinuous melodies and rhythmic swagger — satisfied an era’s appetite for exotic color.   \nAnother hallmark of Sousa’s concerts was the star instrumentalist. His bands featured dazzling cornet players\, and the great Herbert L. Clarke — still a legend to brass players — made theme-and-variations showpieces his calling card. That tradition is represented by The Carnival of Venice\, a cornet showcase that takes an old Neapolitan folk song and launches it into increasingly hair-raising feats of technique — part virtuosity\, part theater.  \nThough outside Sousa’s historical period\, Harlequin (2004) by the British composer Philip Sparke nods to the modern tradition of brilliant solo writing for brass and winds — a tradition Sousa helped propel. Named for the mischievous trickster of old Italian stage comedy\, Harlequin flips easily from lyricism to nimble playfulness.  \nAs for orchestral blockbusters\, few overtures deliver the high-voltage charge of Rossini’s William Tell Overture (1829). Its atmospheric opening for a group of solo cellos\, followed by pastoral calm\, stormy frenzy\, and a famously galloping finale\, made it a 19th-century sensation long before Hollywood turned it into shorthand for heroics. Sousa loved pieces that told a story in sound. Rossini’s overture is pure musical theater — providing a guaranteed jolt of energy just before intermission.  \nNext\, we enter the sound world that made Sousa a household name: the buoyant\, brassy\, rhythmically infectious realm of his own marches. Each one has its own personality\, and hearing them with full symphonic heft reveals just how artful — and how varied — these pieces can be. The Washington Post March\, written in 1889 for an awards ceremony commissioned by the newspaper\, became an overnight hit and helped popularize the two-step; its upbeat elegance still makes it one of Sousa’s breeziest creations.   \nBy contrast\, Hands Across the Sea carries a broader\, more outward-looking message. Composed in 1899\, in the wake of the Spanish-American War\, the march reflects a moment when Americans were newly aware of their country’s presence on the international stage. Sousa introduced the score with a line about “eternal friendship\,” and the music itself feels both confident and welcoming —  patriotic in spirit\, yet tinged with a sense of goodwill that reaches beyond national borders.  \nIf you want Sousa at his most bold\, The Thunderer (1889) delivers with swagger\, its crisp rhythms and triumphant phrases leaving no doubt about its title’s intent. El Capitan\, drawn from Sousa’s 1896 operetta of the same name\, shows a lighter\, more extroverted side\, full of catchy tunes and dramatic flair. The earlier march The Gladiator takes a more formal approach. Published in 1886\, it was one of Sousa’s first breakout hits and helped codify the musical vocabulary we now instantly recognize as “Sousa style.”  \nAudience members of a certain generation may instantly think of British comedy rather than American patriotism when they hear the elegant strains of The Liberty Bell March — Monty Python famously adopted it as their theme — but its charm predates that comedic afterlife. The piece is one of Sousa’s most melodic\, teeming with warm\, ringing sonorities.   \nA different kind of surprise awaits in Humoresque on Gershwin’s “Swanee\,” a playful miniature in which the March King tips his cap to George Gershwin’s early hit song. Strictly speaking\, this isn’t a march at all but one of Sousa’s later comic character pieces\, delighting with its sly twists and rhythmic bounce. Written in 1921 — long after his early parade-ground classics — it shows a composer who relished cleverness when the occasion allowed.  \nTo conclude\, we hear Sousa’s crown jewel. The Stars and Stripes Forever is more than a march; it’s a cultural touchstone. From its stirring opening to the piccolo’s high-flying obbligato — practically a rite of passage for flutists — this march has become a musical shorthand for celebration\, optimism\, and national pride. As we look toward the nation’s 250th anniversary\, it’s hard to imagine a more fitting finale. \nProgram notes (c) 2026 Thomas May  URL:https://www.richmondsymphony.com/event/stars-stripes-forever/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/10-Stars-and-Stripes-Forever-Sousa.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260520T150000 DTEND;TZID=America/New_York:20260520T173000 DTSTAMP:20260625T015554 CREATED:20260421T201216Z LAST-MODIFIED:20260422T141206Z UID:35636-1779289200-1779298200@www.richmondsymphony.com SUMMARY:Conducting Workshop Concert DESCRIPTION:The Richmond Symphony will host an intensive three-day conducting seminar led by Music Director Valentina Peleggi\, offering selected participants the rare opportunity to work directly with and conduct the orchestra in performance. \nThe seminar will culminate in a free public concert featuring workshop participants conducting the Richmond Symphony in a vibrant program that includes Mendelssohn’s exuberant Symphony No. 4\, Price’s lyrical Andante for Strings\, and Beethoven’s emergent Symphony No. 1. URL:https://www.richmondsymphony.com/event/conducting-workshop-concert/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Education & Community ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2026/04/Education-Conductor-Concert-2226x1252-1.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260517T150000 DTEND;TZID=America/New_York:20260517T150000 DTSTAMP:20260625T015554 CREATED:20250222T233037Z LAST-MODIFIED:20260115T192047Z UID:33245-1779030000-1779030000@www.richmondsymphony.com SUMMARY:The Planets & Star Wars DESCRIPTION:Majestic in its scope. Dazzling in its sound. There is nothing to match the experience of hearing\, live in concert\, The Planets. Be there for the ultimate trip through the galaxy as Richmond Symphony and Valentina Peleggi perform Gustav Holst’s sonic celestial showpiece. Plus\, the suite from John Williams’ Star Wars. Also featured on this final concert of a season\, exploring 250 years of American music and history\, is the world premiere OF Grace and Grit from composer and storyteller Stacy Garrop\, commissioned from her by the Richmond Symphony. \n  \nPLEASE NOTE\, FOR THIS PERFORMANCE\, FREE CHILD TICKETS ARE LIMITED TO FOUR PER HOUSEHOLD. URL:https://www.richmondsymphony.com/event/the-planets-star-wars-2026-05-17/2026-05-17/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/RS_ThePlanetsWeb.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260516T193000 DTEND;TZID=America/New_York:20260516T193000 DTSTAMP:20260625T015554 CREATED:20250222T233037Z LAST-MODIFIED:20251112T013759Z UID:33236-1778959800-1778959800@www.richmondsymphony.com SUMMARY:The Planets & Star Wars DESCRIPTION:Majestic in its scope. Dazzling in its sound. There is nothing to match the experience of hearing\, live in concert\, The Planets. Be there for the ultimate trip through the galaxy as Richmond Symphony and Valentina Peleggi perform Gustav Holst’s sonic celestial showpiece. Plus\, the suite from John Williams’ Star Wars. Also featured on this final concert of a season\, exploring 250 years of American music and history\, is the world premiere OF Grace and Grit from composer and storyteller Stacy Garrop\, commissioned from her by the Richmond Symphony. \n  \nPLEASE NOTE\, FOR THIS PERFORMANCE\, FREE CHILD TICKETS ARE LIMITED TO FOUR PER HOUSEHOLD. URL:https://www.richmondsymphony.com/event/the-planets-star-wars/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/RS_ThePlanetsWeb.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260418T190000 DTEND;TZID=America/New_York:20260418T190000 DTSTAMP:20260625T015554 CREATED:20250713T223623Z LAST-MODIFIED:20260416T143320Z UID:33964-1776538800-1776538800@www.richmondsymphony.com SUMMARY:Band Geek Date Night DESCRIPTION:Fall in love with band all over again through Symphonic works you know from those good old glory days. “Band Geek Date Night” brings the spirit of the marching field to the concert hall in a joyful\, high-energy mashup of symphonic sound and collegiate pride. With the Richmond Symphony and the JMU Marching Royal Dukes on stage\, it’s the perfect night out for former band geeks\, first-chair flutists\, and anyone who fell in love over fight songs and Friday night lights. (Dates Not Required) \nSeating is general admission. \n  \nKick off the evening with the electrifying sounds of the James Madison University Marching Royal Dukes as they take over 6th Street from 6:00–6:30 PM.  URL:https://www.richmondsymphony.com/event/band-geek-date-night-2/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Atlantic Union Bank LolliPops,Community Festivals,Concerts & Events,Education & Community,Metro Series,Richmond Symphony Youth Orchestra ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/07/Screenshot-2026-04-15-at-11.56.55-AM.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260417T190000 DTEND;TZID=America/New_York:20260417T190000 DTSTAMP:20260625T015554 CREATED:20260121T172957Z LAST-MODIFIED:20260121T185242Z UID:35154-1776452400-1776452400@www.richmondsymphony.com SUMMARY:Pastor Mike Jr. DESCRIPTION:This concert was rescheduled from Jan 24\, 2026. Your current Pastor Mike Jr. tickets will be honored for the new date. If you can attend on April 17\, no action is required—your existing tickets will remain valid.  \nLet the church say\, Amen! Pastor Mike Jr. brings his award-winning sound to the Richmond Symphony stage for a ‘Gospel Symphony Praise Party.’ Experience the power of orchestral arrangements by the masterful Dr. Henry Panion III blended with the energy of live praise & worship songs. \nFor questions or concerns\, please contact Richmond Symphony Patron Services at patronservices@richmondsymphony.com or 804-788-1212. URL:https://www.richmondsymphony.com/event/pastor-mike-jr-2/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Currents,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/RS.COM-POSTPONED-TO-APRIL-17-2026-1920x1080-1.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260412T150000 DTEND;TZID=America/New_York:20260412T150000 DTSTAMP:20260625T015554 CREATED:20250222T233022Z LAST-MODIFIED:20260407T213016Z UID:33231-1776006000-1776006000@www.richmondsymphony.com SUMMARY:Copland & Beethoven DESCRIPTION:Valentina Peleggi conducts two American masterworks. Aaron Copland’s Fanfare for the Common Man has moved many Americans\, even Copland himself. The finale of his Third Symphony is based on that stirring theme. In speaking of her Hymn for Everyone\, Jessie Montgomery recalled “I wrote it during the pandemic\, and I was in a moment of reflection. I was inspired by the Hymn as a tradition of offering some solace.” Also\, Angela Cheng plays Beethoven’s poetic Fourth Piano Concerto. “Enthralling\,” raved Toronto’s Globe and Mail. “She is speaking with her own voice about works in which she is passionately involved.” URL:https://www.richmondsymphony.com/event/copland-beethoven/2026-04-12/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Angela_Cheng2024_2website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260411T193000 DTEND;TZID=America/New_York:20260411T193000 DTSTAMP:20260625T015554 CREATED:20250222T233022Z LAST-MODIFIED:20260407T213016Z UID:33230-1775935800-1775935800@www.richmondsymphony.com SUMMARY:Copland & Beethoven DESCRIPTION:Valentina Peleggi conducts two American masterworks. Aaron Copland’s Fanfare for the Common Man has moved many Americans\, even Copland himself. The finale of his Third Symphony is based on that stirring theme. In speaking of her Hymn for Everyone\, Jessie Montgomery recalled “I wrote it during the pandemic\, and I was in a moment of reflection. I was inspired by the Hymn as a tradition of offering some solace.” Also\, Angela Cheng plays Beethoven’s poetic Fourth Piano Concerto. “Enthralling\,” raved Toronto’s Globe and Mail. “She is speaking with her own voice about works in which she is passionately involved.” URL:https://www.richmondsymphony.com/event/copland-beethoven/2026-04-11/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Angela_Cheng2024_2website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260308T150000 DTEND;TZID=America/New_York:20260308T150000 DTSTAMP:20260625T015554 CREATED:20250222T233015Z LAST-MODIFIED:20260304T181609Z UID:34097-1772982000-1772982000@www.richmondsymphony.com SUMMARY:Brahms & Dvořák DESCRIPTION:The great strength and nobility of Brahms’ Fourth and final Symphony places it among his most profound achievements. Valentina Peleggi conducts\, and the Richmond Symphony’s own Neal Cary plays Dvořák’s elegy for a long-lost love\, the impassioned Cello Concerto\, composed during the composer’s American sojourn. To begin\, a colorful new work\, commissioned by the Virginia B. Toulmin Foundation Orchestral Commissions Program\, an initiative of the League of American Orchestras in partnership with the American Composers Orchestra\, from Jasmine Guo. A composer for cinema as well as the concert stage\, her distinguished works have been honored and acclaimed. URL:https://www.richmondsymphony.com/event/brahms-dvorak-2/2026-03-08/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Brahms-Dvorak-1280x720-Website-Neal-Cary.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260307T193000 DTEND;TZID=America/New_York:20260307T193000 DTSTAMP:20260625T015554 CREATED:20250222T233015Z LAST-MODIFIED:20260304T181609Z UID:33227-1772911800-1772911800@www.richmondsymphony.com SUMMARY:Brahms & Dvořák DESCRIPTION:The great strength and nobility of Brahms’ Fourth and final Symphony places it among his most profound achievements. Valentina Peleggi conducts\, and the Richmond Symphony’s own Neal Cary plays Dvořák’s elegy for a long-lost love\, the impassioned Cello Concerto\, composed during the composer’s American sojourn. To begin\, a colorful new work\, commissioned by the Virginia B. Toulmin Foundation Orchestral Commissions Program\, an initiative of the League of American Orchestras in partnership with the American Composers Orchestra\, from Jasmine Guo. A composer for cinema as well as the concert stage\, her distinguished works have been honored and acclaimed. URL:https://www.richmondsymphony.com/event/brahms-dvorak-2/2026-03-07/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Brahms-Dvorak-1280x720-Website-Neal-Cary.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260301T150000 DTEND;TZID=America/New_York:20260301T150000 DTSTAMP:20260625T015554 CREATED:20250222T233027Z LAST-MODIFIED:20260203T184909Z UID:33223-1772377200-1772377200@www.richmondsymphony.com SUMMARY:Romeo & Juliet\, Boléro & More DESCRIPTION:Valentina Peleggi conducts a moving program centered on stories of love and resilience. Tchaikovsky’s Romeo and Juliet brings Shakespeare’s tale to life with sweeping emotion. Damien Geter’s world premiere Suite adapted from his Loving v. Virginia Opera reflects on a landmark civil rights case through a deeply personal sonic lens. Respighi’s Roman Festivals explodes with rhythm and spectacle\, capturing the joy and chaos of ancient celebrations. Ravel’s Boléro closes the evening with its hypnotic build and unforgettable finale. URL:https://www.richmondsymphony.com/event/romeo-juliet-bolero-more/2026-03-01/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Valentina-Romeo-Juliet-Web-Featured-Image-2048-x-1151.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260228T193000 DTEND;TZID=America/New_York:20260228T193000 DTSTAMP:20260625T015554 CREATED:20250222T233027Z LAST-MODIFIED:20260203T184909Z UID:33222-1772307000-1772307000@www.richmondsymphony.com SUMMARY:Romeo & Juliet\, Boléro & More DESCRIPTION:Valentina Peleggi conducts a moving program centered on stories of love and resilience. Tchaikovsky’s Romeo and Juliet brings Shakespeare’s tale to life with sweeping emotion. Damien Geter’s world premiere Suite adapted from his Loving v. Virginia Opera reflects on a landmark civil rights case through a deeply personal sonic lens. Respighi’s Roman Festivals explodes with rhythm and spectacle\, capturing the joy and chaos of ancient celebrations. Ravel’s Boléro closes the evening with its hypnotic build and unforgettable finale. URL:https://www.richmondsymphony.com/event/romeo-juliet-bolero-more/2026-02-28/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Valentina-Romeo-Juliet-Web-Featured-Image-2048-x-1151.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260222T150000 DTEND;TZID=America/New_York:20260222T150000 DTSTAMP:20260625T015554 CREATED:20250713T221302Z LAST-MODIFIED:20260220T180201Z UID:33962-1771772400-1771772400@www.richmondsymphony.com SUMMARY:Carnival of the Animals DESCRIPTION:A delightful musical menagerie comes to life in this whimsical family-friendly program featuring Camille Saint-Saëns’ The Carnival of the Animals. Packed with humor\, imagination\, and vivid musical storytelling\, this beloved suite introduces audiences of all ages to a charming parade of creatures from the regal lion and graceful swan to playful kangaroos and a curious aquarium. \nWith expressive orchestration and plenty of surprises\, The Carnival of the Animals is a timeless favorite that’s perfect for children\, newcomers to classical music\, and anyone young at heart. \nBring the whole family for an unforgettable journey through Saint-Saëns’ animal kingdom. \n\nBe there for a FREE Pre-Concert Paw-ty – we’re not lion\, it will be turtle-y awesome!\nArrive at 1:45 and journey through the lobby to Mooney Hall for trunk loads of fun! Strut your stuff and try a violin or a trumpet at the Instrument Petting Zoo hosted by Jan Hampton Violins and KBI Music Shoppe! The community partners – Children’s Museum of Richmond\, Maymont\, Richmond SPCA\, and Richmond Performing Arts Alliance – will have activities ranging from making animal masks and matching instruments with animal sounds – to meeting live animal friends! The Richmond Symphony Youth Orchestra Honors Chamber Ensembles will also perform. \nSwing by for a wild time! URL:https://www.richmondsymphony.com/event/carnival-of-the-animals-3/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Atlantic Union Bank LolliPops,Community Festivals,Concerts & Events,Education & Community,Metro Series,Richmond Symphony Youth Orchestra ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/07/FEB-22-Carnival-of-Animals-Event-Page-Hero-1800x800px.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260221T150000 DTEND;TZID=America/New_York:20260221T150000 DTSTAMP:20260625T015554 CREATED:20250315T210721Z LAST-MODIFIED:20260218T145857Z UID:33475-1771686000-1771686000@www.richmondsymphony.com SUMMARY:A Tribute to Arthur Fiedler DESCRIPTION:For nearly half a century\, Arthur Fiedler was The Boston Pops. Be there for the music Fiedler made famous. Hear beloved pieces like the ‘1812 Overture\,’ selections from ‘The Sound of Music\,’ and more. The magic of “The Fiedler Tradition” live\, in concert. This performance mirrors the classic Fiedler Pops experience with two intermissions—giving you extra time to enjoy refreshments and connect with friends throughout the evening. \n  URL:https://www.richmondsymphony.com/event/a-tribute-to-arthur-fiedler/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/7-Arthur-Fiedler.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260220T190000 DTEND;TZID=America/New_York:20260220T190000 DTSTAMP:20260625T015554 CREATED:20250315T210649Z LAST-MODIFIED:20260218T155522Z UID:33473-1771614000-1771614000@www.richmondsymphony.com SUMMARY:Let's Groove Tonight DESCRIPTION:Led by Broadway superstar Chester Gregory and vocal powerhouses Cherise Coaches & Brik Liam\, this incredible evening is full of classic hit songs made famous by The Spinners\, The Stylistics\, The Temptations\, Marvin Gaye\, Lou Rawls\, Diana Ross\, Gamble & Huff and more. \n \n\n \n \n \n Chester Gregory \n \n \n The Richmond Symphony welcomes award-winning Broadway star and recording artist\, Chester Gregory\, to the Carpenter Theatre stage this February. His career spans celebrated roles in Broadway productions including Hairspray\, Motown: The Musical\, Sister Act\, Tarzan\, and Cry‑Baby\, each shaped by his expressive voice. Chester brings authenticity to every performance\, whether delivering an electrifying showstopper or a heartfelt ballad. His breakout portrayal of Jackie Wilson in The Jackie Wilson Story revealed a performer with both emotional depth and a natural ability to bring musical history to life. \nBeyond the stage\, Gregory’s artistry extends into recording and collaboration. His work with Phil Collins\, Ledisi\, Marc Shaiman\, and Chance the Rapper reflects his range and his ability to move between musical worlds with ease. His dedication to craft has earned him the Joseph Jefferson Award\, the NAACP Theatre Award\, and recognition from his hometown communities through ceremonial keys and an Honorary Doctorate from Columbia College Chicago. \n \n \n \n \n \n \n\n \n \n \n Cherise Coaches \n \n \n Cherise Coaches is an artist from Chicago with a Bachelor of Arts in Vocal Performance from Columbia College\nChicago (2013). She is a former professor from Northwestern University. \nCredits: Broadway: Waitress\, Tour: Disenchanted\nThe Hilarious Hit Musical\, First Lady of Song: Cherise Coaches Sings Ella Fitzgerald (Westport Country\nPlayhouse)\, Regional: HAIR (Geva Theatre Center\,\nMercury Theater Chicago)\, Dreamgirls (Porchlight Music Theatre)\, New Attitude: In Tribute to Patti LaBelle\n(Black Ensemble Theater)\, The Gospel At Colonus\n(Court Theater\, Getty Villa Museum)\, and many more.\nTV: The Chi\, Empire\, Churchy. Film: Plow\, The Talented Tenth. BGV credits: Lizzo\, Rosé\, Kanye West\,\nWill Smith\, PJ Morton\, Jamila Woods\, Maeta\, Eryn\nAllen Kane\, Jonathan McReynolds\, Todd Dulaney\,\nand many more. Music is available on all streaming\nplatforms. @CheriseCoaches on all social media platforms. #TGBT \nBiography courtesy of www.greenbergartists.com \n \n \n \n \n \n \n\n \n \n \n Brik Liam \n \n \n "My goal in creating music and art is to make people feel understood\, heard\, and to make better choices and find happiness because of the telling of my story. I want to grow their minds and imagination\, little by little." - Brik Liam \nBrik.Liam\, influenced by a diverse musical background and early exposure to various genres\, merges classic soul vibes reminiscent of Marvin Gaye with contemporary urban sounds\, creating a signature style that resonates with today’s audience. His remarkable and memorable performances have taken him across the globe. \nCultivated in diverse backgrounds and raised in the church with his mother as head of the choir\, Jacoby Brik.Liam Williams was exposed to different genres of music that influenced his current sound. Brik.Liam was born in Petersburg\, Virginia\, and reared in Germany and Houston\, TX. His frequent relocation is a result of his military family upbringing. His early introduction to music helped shape his outlook on music and creativity. Now as an artist\, Brik.Liam is in a league of his own\, fusing classic soul vibes like the sound of Marvin Gaye with the urban contemporary music fans are accustomed to today. \nThe stage name Brik.Liam is a two-part compilation: Brik—a synonym search of his favorite color red and Liam—an abbreviation of his last name. Brik.Liam also has a signature image of a floating\, red balloon that helps fans to identify his work in any setting. Brik’s perspective on artistry and his contribution to the music industry today can be described as poetic and unconventional\, which adds to his unique appeal. \nBrik.Liam’s career has evolved to greater success in recent years. He has released albums\, performed with some of the industry’s brightest talent\, and showcased his music across the globe. Brik has performed in places like London and the Republic of Congo. Notably\, Brik has toured the United States as an opening performer for Grammy-winning artist PJ Morton during the 2018 More Gumbo Tour and the 2019 Paul Tour. Since then\, Brik.Liam also completed a solo tour in Russia and released his EP What’s The Matter\, Brik. \nBiography courtesy of www.greenbergartists.com URL:https://www.richmondsymphony.com/event/lets-groove-tonight/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/03/1280x720-RS.com-Event-Image-v2.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260201T150000 DTEND;TZID=America/New_York:20260201T150000 DTSTAMP:20260625T015554 CREATED:20250222T233029Z LAST-MODIFIED:20260130T153908Z UID:33220-1769958000-1769958000@www.richmondsymphony.com SUMMARY:Conrad Tao Plays Gershwin DESCRIPTION:Just 30\, Conrad Tao\, says the Detroit Free Press “owns a place among the world’s virtuosos. he blew the doors off in a performance hair-raising in its technical brilliance.” Experience his phenomenal artistry in music from the jazz-age: George Gershwin’s Piano Concerto in F. and his mercurial homage to Gershwin\, Flung Out. And rising American conductor Ben Manis leads Mozart’s great\, final Symphony No. 41\, the “Jupiter.” \n \n\n \n \n About Conrad Tao \n \n\n \n \n \n Conrad Tao is a pianist and composer acclaimed for his fearless creativity and virtuosic command of the keyboard. Praised by New York Magazine as “the kind of musician who is shaping the future of classical music\,” Tao has performed with leading orchestras worldwide\, including the New York Philharmonic\, Los Angeles Philharmonic\, and Boston Symphony. A recipient of the Avery Fisher Career Grant and Gilmore Young Artist Award\, he was also named to Forbes’ “30 Under 30” for his groundbreaking contributions to classical music. \nA prodigy since childhood\, Tao began playing piano by ear at just 18 months and gave his first public recital at age 4. By 8\, he was performing Mozart concertos\, and at 9 he moved to New York to study at Juilliard Pre-College. His remarkable compositional talent earned him eight consecutive ASCAP Morton Gould Young Composer Awards (2004–2011)\, the BMI Carlos Surinach Prize at age 10\, and recognition as a Davidson Fellow Laureate\, all before turning 18. \nAs a composer\, Tao has earned eight consecutive ASCAP Morton Gould Young Composer Awards and commissions from major ensembles. His works often blur boundaries between genres\, weaving jazz\, classical\, and contemporary influences into a distinctive voice. \nThe centerpiece of this program is Flung Out\, Tao’s own piano concerto\, a bold homage to Gershwin that uses original instrumentation from Rhapsody in Blue (banjo\, baritone sax\, ropes of saxophones\, brass) and features a “really sentimental\, lush\, romantic theme” embedded in fast\, frenetic passages. \n“I’m really excited to have a baritone saxophone and a banjo in the mix… using the same instruments Gershwin had for Rhapsody in Blue\,” Tao says. \n\n\n \n \n \n\n \n \n About Ben Manis \n \n\n \n \n \n Ben Manis is an American conductor celebrated for his dynamic artistry and collaborative approach across both symphonic and operatic stages. Currently Resident Conductor of the Grand Teton Music Festival and former Associate Conductor of the Utah Symphony\, Manis has led performances with major institutions including Houston Grand Opera and San Francisco Opera\, where critics praised his “confident\, unflagging pace.” His operatic credits include Carmen\, Il Barbiere di Siviglia\, Tosca\, and Romeo et Juliette\, alongside premieres of contemporary works such as Marian’s Song and The Snowy Day. \nA four-time recipient of the Solti Foundation Career Assistance Award\, Manis studied conducting at Rice University’s Shepherd School and trained at the Aspen Conducting Academy. He has assisted renowned maestros including Leonard Slatkin\, James Conlon\, and Robert Spano\, and worked with leading orchestras across the U.S. \nKnown for his ability to balance precision with expressive depth\, Manis brings a fresh\, engaging perspective to every performance\, making him one of today’s most exciting young conductors. URL:https://www.richmondsymphony.com/event/conrad-tao-plays-gershwin/2026-02-01/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Tao_cBrantleyGutierrez-01website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260131T193000 DTEND;TZID=America/New_York:20260131T193000 DTSTAMP:20260625T015554 CREATED:20250222T233029Z LAST-MODIFIED:20260130T153908Z UID:33219-1769887800-1769887800@www.richmondsymphony.com SUMMARY:Conrad Tao Plays Gershwin DESCRIPTION:Just 30\, Conrad Tao\, says the Detroit Free Press “owns a place among the world’s virtuosos. he blew the doors off in a performance hair-raising in its technical brilliance.” Experience his phenomenal artistry in music from the jazz-age: George Gershwin’s Piano Concerto in F. and his mercurial homage to Gershwin\, Flung Out. And rising American conductor Ben Manis leads Mozart’s great\, final Symphony No. 41\, the “Jupiter.” \n \n\n \n \n About Conrad Tao \n \n\n \n \n \n Conrad Tao is a pianist and composer acclaimed for his fearless creativity and virtuosic command of the keyboard. Praised by New York Magazine as “the kind of musician who is shaping the future of classical music\,” Tao has performed with leading orchestras worldwide\, including the New York Philharmonic\, Los Angeles Philharmonic\, and Boston Symphony. A recipient of the Avery Fisher Career Grant and Gilmore Young Artist Award\, he was also named to Forbes’ “30 Under 30” for his groundbreaking contributions to classical music. \nA prodigy since childhood\, Tao began playing piano by ear at just 18 months and gave his first public recital at age 4. By 8\, he was performing Mozart concertos\, and at 9 he moved to New York to study at Juilliard Pre-College. His remarkable compositional talent earned him eight consecutive ASCAP Morton Gould Young Composer Awards (2004–2011)\, the BMI Carlos Surinach Prize at age 10\, and recognition as a Davidson Fellow Laureate\, all before turning 18. \nAs a composer\, Tao has earned eight consecutive ASCAP Morton Gould Young Composer Awards and commissions from major ensembles. His works often blur boundaries between genres\, weaving jazz\, classical\, and contemporary influences into a distinctive voice. \nThe centerpiece of this program is Flung Out\, Tao’s own piano concerto\, a bold homage to Gershwin that uses original instrumentation from Rhapsody in Blue (banjo\, baritone sax\, ropes of saxophones\, brass) and features a “really sentimental\, lush\, romantic theme” embedded in fast\, frenetic passages. \n“I’m really excited to have a baritone saxophone and a banjo in the mix… using the same instruments Gershwin had for Rhapsody in Blue\,” Tao says. \n\n\n \n \n \n\n \n \n About Ben Manis \n \n\n \n \n \n Ben Manis is an American conductor celebrated for his dynamic artistry and collaborative approach across both symphonic and operatic stages. Currently Resident Conductor of the Grand Teton Music Festival and former Associate Conductor of the Utah Symphony\, Manis has led performances with major institutions including Houston Grand Opera and San Francisco Opera\, where critics praised his “confident\, unflagging pace.” His operatic credits include Carmen\, Il Barbiere di Siviglia\, Tosca\, and Romeo et Juliette\, alongside premieres of contemporary works such as Marian’s Song and The Snowy Day. \nA four-time recipient of the Solti Foundation Career Assistance Award\, Manis studied conducting at Rice University’s Shepherd School and trained at the Aspen Conducting Academy. He has assisted renowned maestros including Leonard Slatkin\, James Conlon\, and Robert Spano\, and worked with leading orchestras across the U.S. \nKnown for his ability to balance precision with expressive depth\, Manis brings a fresh\, engaging perspective to every performance\, making him one of today’s most exciting young conductors. URL:https://www.richmondsymphony.com/event/conrad-tao-plays-gershwin/2026-01-31/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/Tao_cBrantleyGutierrez-01website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260124T190000 DTEND;TZID=America/New_York:20260124T190000 DTSTAMP:20260625T015554 CREATED:20250315T210619Z LAST-MODIFIED:20260121T165933Z UID:33470-1769281200-1769281200@www.richmondsymphony.com SUMMARY:Pastor Mike Jr. DESCRIPTION:Let the church say\, Amen! Pastor Mike Jr. brings his award-winning sound to the Richmond Symphony stage for a ‘Gospel Symphony Praise Party.’ Experience the power of orchestral arrangements by the masterful Dr. Henry Panion III blended with the energy of live praise & worship songs. \n \n\n \n \n \n Pastor Mike Jr. \n \n \n Pastor Mike Jr. founded Rock City Church in Birmingham\, Alabama\, transforming it into one of the region’s fastest-growing ministries and a vibrant hub for faith and community impact. He launched his music career officially in 2019 with the debut album Live Free\, which soared to No. 1 on the Billboard Top Gospel Albums chart. Following that\, his releases I Got It: Singles Ministry\, Vol. 1 (2021) and Impossible (2023) consistently dominated Billboard’s Gospel rankings. Pastor Mike Jr. has earned a remarkable collection of accolades: 28 Stellar Awards\, multiple GMA Dove Awards\, BET Award nominations\, and now\, a 2026 GRAMMY nomination. \nPastor Mike Jr. shows that faith and culture aren’t in conflict\, they thrive together. Through his mission-driven work\, he champions families and empowers students to dream beyond limits\, all while pairing these efforts with his powerful music. \nMusical moment to listen for: \nHis powerful anthem “Amen\,” dropped in January 2025\, earned a 2026 GRAMMY nomination for Best Gospel Performance/Song. The track hit No. 1 on both Billboard’s Gospel Airplay and National Gospel Airplay charts. Celebrated for its authenticity and relatable grit\, “Amen” bridges spiritual depth with a contemporary tone - a signature of Pastor Mike Jr.’s ministry and music mission. \nNow\, that mission ignites the Gospel Symphony Praise Party. Backed by the Richmond Symphony and elevated by Dr. Henry Panion’s masterful arrangements\, Pastor Mike Jr.’s dynamic praise anthems will resonate like never before. It’s more than a concert; it’s a movement of faith\, music\, and community coming together in one unforgettable night. \n  \n \n \n \n \n \n \n\n \n \n \n Dr. Henry Panion III \n \n \n Dr. Henry Panion III\, PhD\, serves as Professor of Music & Director of Music Technology at the University of Alabama at Birmingham. He brings multi-genre expertise spanning gospel\, classical\, R&B\, hip-hop\, and more. A distinguished alumnus (Alabama A&M\, Ohio State)\, he’s earned top honors including the Congressional Black Caucus Civic & Cultural Advancement Award\, induction into the Alabama Jazz Hall of Fame\, and the Governor’s Arts Award. \nCareer highlights: then & now \nDr. Henry Panion III’s legendary partnership with Stevie Wonder spans more than three decades\, defining a new era of symphonic soul. As arranger and conductor for Wonder’s acclaimed Natural Wonder tour and live album\, Panion led world-class orchestras\, including the Tokyo Philharmonic\, in breathtaking performances of Stevie’s greatest hits. His artistry has graced stages across the globe\, from the Royal Philharmonic to the Melbourne Symphony\, blending orchestral grandeur with Wonder’s timeless sound. This enduring collaboration\, rooted in musical excellence and cultural impact\, cements Panion as one of the most influential voices in bridging classical and contemporary music. \nNow\, that same brilliance comes to Richmond. After decades of shaping symphonic experiences for Stevie Wonder and other music legends\, Dr. Panion brings his unmatched artistry to the Gospel Symphony Praise Party. His orchestral arrangements will transform Pastor Mike Jr.’s chart-topping praise anthems into a sweeping\, soul-stirring celebration where gospel energy meets symphonic grandeur in a way only Panion can deliver. URL:https://www.richmondsymphony.com/event/pastor-mike-jr/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/RS.COM-POSTPONED-TO-APRIL-17-2026-1920x1080-1.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260118T150000 DTEND;TZID=America/New_York:20260118T150000 DTSTAMP:20260625T015554 CREATED:20250222T233029Z LAST-MODIFIED:20260115T213954Z UID:33217-1768748400-1768748400@www.richmondsymphony.com SUMMARY:Damien Geter's An African American Requiem DESCRIPTION:In composing his epic\, moving Requiem\, Damien Geter was inspired by those composed earlier by Mozart\, Berlioz\, Brahms\, and especially Verdi. Within the traditional Latin text\, Geter’s Requiem weaves the words of victims of lynching and of those who dared speak out. “A Requiem memorializes a person\,” Geter has stated. “We need to memorialize these folks in some way\, to keep their names alive. And this is the way I choose to honor them.” \n \n\n \n \n History\, Influences\, & Musical Preview \n \n\n \n \n \n Richmond Symphony composer-in-residence Damien Geter began composing “An African-American Requiem” in 2016\, commissioned by Resonance Ensemble\, and premiered the work with the Oregon Symphony in 2022. As a musical response to violence against Black Americans\, Geter modeled the twenty-movement composition after Verdi’s “Requiem.” He combines traditional Latin Requiem texts with civil rights declarations\, poetry\, and Eric Garner’s last words\, “I can’t breathe.”  \nMusical moment to listen for: \nIn the movement Lacrimosa (Latin for weeping or tearful)\, Geter writes a haunting clarinet solo echoing the Star-Spangled Banner in D minor\, but something is missing. Although there are no lyrics to this solo\, the memorable melody has you following them long enough to notice that he omits the promised peak note "free" from the phrase. The silence is deafening\, as Geter's message is clear. \n"In a concert setting\, we are forced to listen to\, and take in\, not only the music\, but the message. Music can be a conduit in that way\, bridging the reluctant person’s heart to that of a broader human experience." — Damien Geter \n\n\n \n \n \n\n \n \n Foreword by Aminata R. Sei for "An African American Requiem" \n \n\n \n \n \n Damien Geter has masterfully curated this renaissance on a canvas of our consciousness and our necessary call to duty. This Requiem is as it should be-sobering and bold. A Thank You is in order\, from me and from you\, for his courage and vision\, and for the hope it instills in our community. The work is a most salient reminder of our struggle\, of where it began\, how far we have come and the promise that rests in where we are headed. \nHostility and strife prevail\, a seeming disregard for life and a conjuring of the pain of past atrocities. Devaluation of Black lives. This continued denigration of our culture\, of black men and women\, and sometimes of black children\, must stop. The communal impact of generational and systemic discrimination over time is loss of confidence and a diminished will power. That is the unfortunate truth. This requiem defies that truth. It beckons from our souls a sense of fresh optimism so listen for it between the notes. Let that resonance overcome. Damien Geter presents a powerful and eclectic arrangement that reassures us of the courage of the likes of Ida B Wells. He shines a light on the truth that is the revolution of each movement. History bears witness to Beethoven’s monumental influence on symphony; the impact of emotions on classical music\, and this Requiem illuminates the fire on that torch; it heightens all of ours. \nWhere others had stood up and spoken out\, today this composer with unmatched creative genius has made his mark by gifting the world with a remarkable musical transcription. A war song. An anthem. Through moments of deep reflection you’ll come to appreciate that this Requiem is no dirge. It is a sacred call. Every chord striking a memory of all of the souls of our dearly departed from whom life was unjustly taken. A reckoning of love and hope. This work will revolutionize our path to activism. It is pacesetting classical music. Other greats have left their mark\, and I am certain so will this maestro. \nJames Baldwin said it best\, “you write to change the world…” Damien Geter was born to write this masterpiece\, and it will change how we show up in the world. \n— Aminata R. Sei URL:https://www.richmondsymphony.com/event/damien-geters-an-african-american-requiem/2026-01-18/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/KazemAbdullahwebsite.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260117T193000 DTEND;TZID=America/New_York:20260117T193000 DTSTAMP:20260625T015554 CREATED:20250222T233029Z LAST-MODIFIED:20260115T213954Z UID:33216-1768678200-1768678200@www.richmondsymphony.com SUMMARY:Damien Geter's An African American Requiem DESCRIPTION:In composing his epic\, moving Requiem\, Damien Geter was inspired by those composed earlier by Mozart\, Berlioz\, Brahms\, and especially Verdi. Within the traditional Latin text\, Geter’s Requiem weaves the words of victims of lynching and of those who dared speak out. “A Requiem memorializes a person\,” Geter has stated. “We need to memorialize these folks in some way\, to keep their names alive. And this is the way I choose to honor them.” \n \n\n \n \n History\, Influences\, & Musical Preview \n \n\n \n \n \n Richmond Symphony composer-in-residence Damien Geter began composing “An African-American Requiem” in 2016\, commissioned by Resonance Ensemble\, and premiered the work with the Oregon Symphony in 2022. As a musical response to violence against Black Americans\, Geter modeled the twenty-movement composition after Verdi’s “Requiem.” He combines traditional Latin Requiem texts with civil rights declarations\, poetry\, and Eric Garner’s last words\, “I can’t breathe.”  \nMusical moment to listen for: \nIn the movement Lacrimosa (Latin for weeping or tearful)\, Geter writes a haunting clarinet solo echoing the Star-Spangled Banner in D minor\, but something is missing. Although there are no lyrics to this solo\, the memorable melody has you following them long enough to notice that he omits the promised peak note "free" from the phrase. The silence is deafening\, as Geter's message is clear. \n"In a concert setting\, we are forced to listen to\, and take in\, not only the music\, but the message. Music can be a conduit in that way\, bridging the reluctant person’s heart to that of a broader human experience." — Damien Geter \n\n\n \n \n \n\n \n \n Foreword by Aminata R. Sei for "An African American Requiem" \n \n\n \n \n \n Damien Geter has masterfully curated this renaissance on a canvas of our consciousness and our necessary call to duty. This Requiem is as it should be-sobering and bold. A Thank You is in order\, from me and from you\, for his courage and vision\, and for the hope it instills in our community. The work is a most salient reminder of our struggle\, of where it began\, how far we have come and the promise that rests in where we are headed. \nHostility and strife prevail\, a seeming disregard for life and a conjuring of the pain of past atrocities. Devaluation of Black lives. This continued denigration of our culture\, of black men and women\, and sometimes of black children\, must stop. The communal impact of generational and systemic discrimination over time is loss of confidence and a diminished will power. That is the unfortunate truth. This requiem defies that truth. It beckons from our souls a sense of fresh optimism so listen for it between the notes. Let that resonance overcome. Damien Geter presents a powerful and eclectic arrangement that reassures us of the courage of the likes of Ida B Wells. He shines a light on the truth that is the revolution of each movement. History bears witness to Beethoven’s monumental influence on symphony; the impact of emotions on classical music\, and this Requiem illuminates the fire on that torch; it heightens all of ours. \nWhere others had stood up and spoken out\, today this composer with unmatched creative genius has made his mark by gifting the world with a remarkable musical transcription. A war song. An anthem. Through moments of deep reflection you’ll come to appreciate that this Requiem is no dirge. It is a sacred call. Every chord striking a memory of all of the souls of our dearly departed from whom life was unjustly taken. A reckoning of love and hope. This work will revolutionize our path to activism. It is pacesetting classical music. Other greats have left their mark\, and I am certain so will this maestro. \nJames Baldwin said it best\, “you write to change the world…” Damien Geter was born to write this masterpiece\, and it will change how we show up in the world. \n— Aminata R. Sei URL:https://www.richmondsymphony.com/event/damien-geters-an-african-american-requiem/2026-01-17/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/KazemAbdullahwebsite.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251201T000100 DTEND;TZID=America/New_York:20251201T235900 DTSTAMP:20260625T015554 CREATED:20251128T170157Z LAST-MODIFIED:20251201T142011Z UID:28984-1764547260-1764633540@www.richmondsymphony.com SUMMARY:Black Friday/Cyber Monday Sale DESCRIPTION:Black Friday/Cyber Monday Sale\n\nSave 50% off Adult prices for select Side Orchestra seats\nfor all January concerts AND Band Geek Date Night. \nSelect the Black Fri-Cyber Mon price code when purchasing online. The discount is incorporated into the price. Limit four per concert. Valid Friday\, November 28 through Monday\, December 1. \n  \n\n\n\n\n\nAn African American Requiemon Sat\, Jan 17 and Sun\, Jan 18 \n\n\n\nPastor Mike Jr. Symphony Praise Party on Sat\, Jan 24\n\n\n\nConrad Tao Plays Gershwin on Sat Jan 31 and Sun\, Feb 1\n\n\n\n\n\nBand Geek Date Night\, Sat April 18\n\n\n\n\nRESTRICTIONS:  Additional tickets may be added to the order using the normal price codes. Discount cannot be combined with other offers and cannot be used retroactively. Offer valid from Friday\, November 28 through midnight\, Monday\, December 1. You can also call Richmond Symphony Patron Services at 804.788.1212 on Friday or Monday (9am to 5pm). \n  URL:https://www.richmondsymphony.com/event/blackfri-cybermon/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Currents,Masterworks Series,Metro Series,Pops,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2022/11/50sale.jpg GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251130T150000 DTEND;TZID=America/New_York:20251130T150000 DTSTAMP:20260625T015554 CREATED:20250315T210539Z LAST-MODIFIED:20251117T162038Z UID:33464-1764514800-1764514800@www.richmondsymphony.com SUMMARY:Holiday Brass DESCRIPTION:Your new holiday favorite moves to the Carpenter Theatre! Deck the halls – with Holiday Brass! A shimmering celebration of holiday hits for the whole family! \n  \nMAKE IT A HOLIDAY WEEKEND! CLICK HERE TO PURCHASE HOLIDAY BRASS AND THE 7PM LET IT SNOW: https://www.etix.com/ticket/k/29245743/ URL:https://www.richmondsymphony.com/event/holiday-brass-4/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/5-Holiday-Brass.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251129T190000 DTEND;TZID=America/New_York:20251129T190000 DTSTAMP:20260625T015554 CREATED:20250315T211128Z LAST-MODIFIED:20251125T142510Z UID:33501-1764442800-1764442800@www.richmondsymphony.com SUMMARY:Let It Snow! DESCRIPTION:It’s Richmond’s favorite holiday musical tradition. Celebrate the season with family and friends with your Richmond Symphony and Richmond Symphony Chorus at the Carpenter Theatre on Thanksgiving Weekend. Hae Lee conducts. Features Handel’s Hallelujah Chorus! \nJUST ANNOUNCED: Laura Ann Singh joins the Richmond Symphony for Let It Snow! A multilingual singer celebrated for her captivating interpretations of música popular brasileira and Latin boleros\, Singh brings global flair and soulful elegance to the stage. With performances spanning Europe\, Russia\, and South America\, along with featured appearances on NPR’s Tiny Desk and at New York City’s globalFEST\, her voice has delighted audiences around the world. She lends her radiant style to timeless holiday classics in an unforgettable evening of music\, joy\, and winter wonder \nTwo chances to enjoy this holiday favorite at 2pm and 7pm! \nMAKE IT A HOLIDAY WEEKEND! CLICK HERE TO PURCHASE HOLIDAY BRASS AND THE 7PM LET IT SNOW: https://www.etix.com/ticket/k/29245743/ \n  \nCONCERT SPONSOR URL:https://www.richmondsymphony.com/event/let-it-snow-16/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/4-Let-It-Snow.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251129T140000 DTEND;TZID=America/New_York:20251129T140000 DTSTAMP:20260625T015554 CREATED:20250315T210008Z LAST-MODIFIED:20251112T003854Z UID:33459-1764424800-1764424800@www.richmondsymphony.com SUMMARY:Let It Snow! DESCRIPTION:It’s Richmond’s favorite holiday musical tradition. Celebrate the season with family and friends with your Richmond Symphony and Richmond Symphony Chorus at the Carpenter Theatre on Thanksgiving Weekend. Hae Lee conducts. Features Handel’s Hallelujah Chorus! \nJUST ANNOUNCED: Laura Ann Singh joins the Richmond Symphony for Let It Snow! A multilingual singer celebrated for her captivating interpretations of música popular brasileira and Latin boleros\, Singh brings global flair and soulful elegance to the stage. With performances spanning Europe\, Russia\, and South America\, along with featured appearances on NPR’s Tiny Desk and at New York City’s globalFEST\, her voice has delighted audiences around the world. She lends her radiant style to timeless holiday classics in an unforgettable evening of music\, joy\, and winter wonder \nTwo chances to enjoy this holiday favorite at 2pm and 7pm! \nCONCERT SPONSOR URL:https://www.richmondsymphony.com/event/let-it-snow-15/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/4-Let-It-Snow.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251109T150000 DTEND;TZID=America/New_York:20251109T150000 DTSTAMP:20260625T015554 CREATED:20250222T233036Z LAST-MODIFIED:20251107T165545Z UID:34066-1762700400-1762700400@www.richmondsymphony.com SUMMARY:Beethoven Violin Concerto DESCRIPTION:Francesca Dego\, who thrilled Richmond audiences in her 2024 debut\, returns for Beethoven’s towering Violin Concerto. Of her Beethoven\, the Dallas Morning News raved: “She proved that pianissimos can be as gripping as fortissimos. Her gleaming tone was striking\, with commitment\, facility\, and finesse. A rock-star ovation was rewarded.” Valentina Peleggi also conducts Charles Ives’s truth- searching meditation\, The Unanswered Question\, and Dvořák’s broodingly powerful Symphony No. 7. URL:https://www.richmondsymphony.com/event/beethoven-violin-concerto/2025-11-09/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/FrancescaDegoviolin3website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251108T193000 DTEND;TZID=America/New_York:20251108T193000 DTSTAMP:20260625T015554 CREATED:20250222T233036Z LAST-MODIFIED:20251107T165545Z UID:33213-1762630200-1762630200@www.richmondsymphony.com SUMMARY:Beethoven Violin Concerto DESCRIPTION:Francesca Dego\, who thrilled Richmond audiences in her 2024 debut\, returns for Beethoven’s towering Violin Concerto. Of her Beethoven\, the Dallas Morning News raved: “She proved that pianissimos can be as gripping as fortissimos. Her gleaming tone was striking\, with commitment\, facility\, and finesse. A rock-star ovation was rewarded.” Valentina Peleggi also conducts Charles Ives’s truth- searching meditation\, The Unanswered Question\, and Dvořák’s broodingly powerful Symphony No. 7. URL:https://www.richmondsymphony.com/event/beethoven-violin-concerto/2025-11-08/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/png:https://www.richmondsymphony.com/wp-content/uploads/2025/02/FrancescaDegoviolin3website.png ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251031T190000 DTEND;TZID=America/New_York:20251031T190000 DTSTAMP:20260625T015554 CREATED:20250315T205731Z LAST-MODIFIED:20251031T160921Z UID:33444-1761937200-1761937200@www.richmondsymphony.com SUMMARY:The Rocky Horror Show DESCRIPTION:Parental Advisory\nThis performance embraces the wild\, weird\, and wonderfully risqué world of Rocky Horror. It includes mature content and is best suited for audiences 17 and older. Please contact Patron Services at patronservices@richmondsymphony.com or 804.788.1212 x2 for more information.\n\nRocky Horror on Halloween! The Richmond Symphony is joined by actors from the Richmond Triangle Players for a production of The Rocky Horror Show – still a smash hit after 50+ years! “Dammit\, Janet” you’ve got to be there! \nNo props please. But costumes and callbacks are encouraged! \nClick here for a Callback Guide! URL:https://www.richmondsymphony.com/event/the-rocky-horror-show/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/2-The-Rocky-Horror-Show.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251026T150000 DTEND;TZID=America/New_York:20251026T150000 DTSTAMP:20260625T015554 CREATED:20250222T233045Z LAST-MODIFIED:20251016T132357Z UID:33211-1761490800-1761490800@www.richmondsymphony.com SUMMARY:Minsoo Sohn Plays Chopin DESCRIPTION:It was a young\, desperate love that inspired the young Frederic Chopin. Too shy to declare his feelings\, he wrote: “I say to my piano what I would like to be saying to you…” The masterful Minsoo Sohn performs Chopin’s Second Piano Concerto. Sohn is described by the New York Times as “a genuine artist\, with a thoughtful and poetic interpretation\,” and by the Boston Globe as “born to play the piano.” This concert of great romantics also features Rachmaninoff’s ravishing Second Symphony. \nClick here to learn more about Minsoo Sohn. \n  \n  \n*Please note the guest artist for this performance was updated on 10/16/25 URL:https://www.richmondsymphony.com/event/emanuel-ax-plays-chopin/2025-10-26/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/210725_1530_Minsoo-Sohn_SofiaLambrouforetix.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251025T193000 DTEND;TZID=America/New_York:20251025T193000 DTSTAMP:20260625T015554 CREATED:20250222T233045Z LAST-MODIFIED:20251016T132357Z UID:33208-1761420600-1761420600@www.richmondsymphony.com SUMMARY:Minsoo Sohn Plays Chopin DESCRIPTION:It was a young\, desperate love that inspired the young Frederic Chopin. Too shy to declare his feelings\, he wrote: “I say to my piano what I would like to be saying to you…” The masterful Minsoo Sohn performs Chopin’s Second Piano Concerto. Sohn is described by the New York Times as “a genuine artist\, with a thoughtful and poetic interpretation\,” and by the Boston Globe as “born to play the piano.” This concert of great romantics also features Rachmaninoff’s ravishing Second Symphony. \nClick here to learn more about Minsoo Sohn. \n  \n  \n*Please note the guest artist for this performance was updated on 10/16/25 URL:https://www.richmondsymphony.com/event/emanuel-ax-plays-chopin/2025-10-25/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Symphony Series ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/02/210725_1530_Minsoo-Sohn_SofiaLambrouforetix.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20251011T170000 DTEND;TZID=America/New_York:20251011T170000 DTSTAMP:20260625T015554 CREATED:20250315T205636Z LAST-MODIFIED:20251011T210048Z UID:33440-1760202000-1760202000@www.richmondsymphony.com SUMMARY:A Night in Vienna DESCRIPTION:Journey through the magic of Vienna’s dance music to the opulent ballrooms of Johann Strauss II.\nThis program celebrates the “King of Waltzes” on his 200th anniversary\, featuring iconic waltzes\,\nmarches\, and beloved classics like The Blue Danube\, Brahms’s Hungarian Dance No. 5\,\nand Mozart’s Overture to The Magic Flute. \n \n\n \n \n The City of Music \n \n\n \n \n \n A Night in Vienna \nSaturday\, October 11\, 2025 | 5:00 PM \nIf you pay a visit to Vienna’s Central Cemetery\, you’ll find a “Musicians’ Corner” where some of the iconic figures of Western classical music are laid to rest: Beethoven\, Schubert\, Johann Strauss II\, and Brahms all lie buried within close proximity. It’s a reminder that this city was more than just their home. It was a creative magnet that drew composers from all over. \n“All of these composers were drawn to Vienna or already living there\,” says Music Director Valentina Peleggi. “A Night in Vienna traces a journey that starts off with a variety of dance forms suggesting the ethnic diversity of the Austro-Hungarian Empire. It then celebrates how these influences came together and evolved into something new – the waltz – which became a symbol of Vienna itself as a cosmopolitan capital.” \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n A Mosaic of Influences \n \n\n \n \n \n The first half of the program thus presents an eclectic mix of styles and influences\, from reworkings of regional folk idioms to evocations of Hungarian and Turkish music. These pieces show how composers engaged with the multicultural mosaic\nthey encountered\, both inside the Empire and beyond. \nOur snapshot of this shifting musical landscape begins with a bright\, festive march Mozart composed shortly after relocating to Vienna in the 1780s\, likely for a public or semi-public celebration. Following it is an orchestral arrangement of the famous “Turkish” rondo finale he originally wrote as part of a solo piano sonata—a rhythmically infectious piece that reflects how Europeans perceived the military music of the Ottoman Empire\, a style that was then very much in vogue in Vienna. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n From Mozart to Schubert \n \n\n \n \n \n Marche militaire by Franz Schubert\, who was born and raised in Vienna\, also started out as music for piano (actually\, piano four hands). It was written while on a music teaching stint for an aristocratic family in a Hungarian corner of the Empire. For all its mock martial grandeur\, the piece sways with a rhythmic lilt that’s hard to resist. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n Beethoven’s Contradances \n \n\n \n \n \n A generation older than Schubert\, Beethoven paid tribute to the popular social dances of the day with a set of contradances – group dances of French and English origin – written not long after his move to Vienna to study with Haydn. The tune he used for No. 7 proved to have remarkable staying power: it later appeared in his ballet The Creatures of Prometheus and ultimately found immortal form as the theme for the finale of his revolutionary Eroica Symphony. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n Hungarian Fire and Operetta Flair \n \n\n \n \n \n That Hungarian thread continues with Brahms’s Hungarian Dance No. 5\, the most famous of a set he originally composed for piano four hands in the late 1860s. The piece pulses with the rhythmic drive and fiery flair of Romani-influenced dance music – the kind of melodies that once spilled from café orchestras across the city. \nLike Dvořák\, Franz von Suppé emerged from outside the dominant Germanic tradition within the multiethnic Habsburg Empire. He became famous for his effervescent contributions to Viennese operetta\, such as 1866 work Light Cavalry. The galloping rhythms and theatrical flair of its overture have made the piece a concert hall favorite. We hear the overture’s rousing finale to close the first half of our program. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n The Waltz King \n \n\n \n \n \n Vienna’s famous City Park holds a gilded statue of Johann Strauss II\, who is shown merrily playing his violin. Long one of the most photographed landmarks in this city of music\, the monument is drawing even greater attention as the world celebrates the 200th anniversary of Strauss’s birth later this month. \nThe Overture to Die Fledermaus is a dazzling distillation of everything audiences adore about Strauss: irresistible melody\, rhythmic vitality\, and a flair for drama laced with humor. The title – which means “The Bat” – refers to a costume worn at a lavish masquerade ball\, where mistaken identities and fizzy intrigue unfold to a deliriously charming score now inseparable from Vienna’s New Year’s celebrations. \n(C)2025 Thomas May \n  \n\n\n \n \n \n\n \n \n Waltzes\, Polkas\, and Beyond \n \n\n \n \n \n Johann Strauss II was born into a remarkable musical dynasty. His father had laid the foundation for the family’s association with the Viennese waltz\, transforming a popular folk dance into a sophisticated form of entertainment. But it was Johann Junior who ultimately eclipsed not only Papa Strauss but also his composer brothers\, Josef and Eduard\, in both popularity and artistic Influence. \nStrauss’s naturally flowing melodies have a way of transporting listeners straight into the heart of Vienna: savor the lyrical grace and elegance of Voices of Spring and Roses from the South. Though best known for his waltzes\, the prolific Strauss additionally composed dozens of polkas\, galops\, and quadrilles – lively dance forms that were staples of the Viennese ballroom. He captures the cheeky bustle of Viennese gossip in the Tritsch-Tratsch (“chit-chat”) Polka and conjures up atmospheric spectacle in the thunderously brilliant Unter Donner und Blitz. As for the waltz itself\, Strauss expanded it into something grander and more symphonic by adding richly orchestrated introductions\, sweeping melodies\, and dramatically contrasting interludes. His concert waltzes often weave together several distinct dance sections\, creating a seamless sequence that elevates the form from ballroom diversion to miniature tone poem. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n The Blue Danube and a Triumphant Finale \n \n\n \n \n \n The Blue Danube – a hit at the 1867 Paris Exposition – has become the quintessential Strauss waltz. It begins with a dreamy\, choral-style introduction (whose original version in fact included a chorus) before unfolding into a sequence of five elegant waltz themes\, each with its own character\, yet artfully linked together. The Blue Danube has become virtually synonymous with Vienna itself\, though its modern fame owes much to Stanley Kubrick’s inspired decision to use Strauss’s graceful dance rhythms to accompany scenes of orbiting spacecraft in 2001: A Space Odyssey. \nBut Papa Strauss gets the final say. His Radetzky March from 1848 – written to honor a victorious general – has long outlived its military origins to become a rollicking New Year’s tradition\, complete with audience clapping and unflagging good cheer. It’s a rousing finale from the original Strauss in the waltz hall of fame. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n\n \n \n The City of Music \n \n\n \n \n \n A Night in Vienna \nSaturday\, October 11\, 2025 | 5:00 PM \nIf you pay a visit to Vienna’s Central Cemetery\, you’ll find a “Musicians’ Corner” where some of the iconic figures of Western classical music are laid to rest: Beethoven\, Schubert\, Johann Strauss II\, and Brahms all lie buried within close proximity. It’s a reminder that this city was more than just their home. It was a creative magnet that drew composers from all over. \n“All of these composers were drawn to Vienna or already living there\,” says Music Director Valentina Peleggi. “A Night in Vienna traces a journey that starts off with a variety of dance forms suggesting the ethnic diversity of the Austro-Hungarian Empire. It then celebrates how these influences came together and evolved into something new – the waltz – which became a symbol of Vienna itself as a cosmopolitan capital.” \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n A Mosaic of Influences \n \n\n \n \n \n The first half of the program thus presents an eclectic mix of styles and influences\, from reworkings of regional folk idioms to evocations of Hungarian and Turkish music. These pieces show how composers engaged with the multicultural mosaic\nthey encountered\, both inside the Empire and beyond. \nOur snapshot of this shifting musical landscape begins with a bright\, festive march Mozart composed shortly after relocating to Vienna in the 1780s\, likely for a public or semi-public celebration. Following it is an orchestral arrangement of the famous “Turkish” rondo finale he originally wrote as part of a solo piano sonata—a rhythmically infectious piece that reflects how Europeans perceived the military music of the Ottoman Empire\, a style that was then very much in vogue in Vienna. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n From Mozart to Schubert \n \n\n \n \n \n Marche militaire by Franz Schubert\, who was born and raised in Vienna\, also started out as music for piano (actually\, piano four hands). It was written while on a music teaching stint for an aristocratic family in a Hungarian corner of the Empire. For all its mock martial grandeur\, the piece sways with a rhythmic lilt that’s hard to resist. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n Beethoven’s Contradances \n \n\n \n \n \n A generation older than Schubert\, Beethoven paid tribute to the popular social dances of the day with a set of contradances – group dances of French and English origin – written not long after his move to Vienna to study with Haydn. The tune he used for No. 7 proved to have remarkable staying power: it later appeared in his ballet The Creatures of Prometheus and ultimately found immortal form as the theme for the finale of his revolutionary Eroica Symphony. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n Hungarian Fire and Operetta Flair \n \n\n \n \n \n That Hungarian thread continues with Brahms’s Hungarian Dance No. 5\, the most famous of a set he originally composed for piano four hands in the late 1860s. The piece pulses with the rhythmic drive and fiery flair of Romani-influenced dance music – the kind of melodies that once spilled from café orchestras across the city. \nLike Dvořák\, Franz von Suppé emerged from outside the dominant Germanic tradition within the multiethnic Habsburg Empire. He became famous for his effervescent contributions to Viennese operetta\, such as 1866 work Light Cavalry. The galloping rhythms and theatrical flair of its overture have made the piece a concert hall favorite. We hear the overture’s rousing finale to close the first half of our program. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n The Waltz King \n \n\n \n \n \n Vienna’s famous City Park holds a gilded statue of Johann Strauss II\, who is shown merrily playing his violin. Long one of the most photographed landmarks in this city of music\, the monument is drawing even greater attention as the world celebrates the 200th anniversary of Strauss’s birth later this month. \nThe Overture to Die Fledermaus is a dazzling distillation of everything audiences adore about Strauss: irresistible melody\, rhythmic vitality\, and a flair for drama laced with humor. The title – which means “The Bat” – refers to a costume worn at a lavish masquerade ball\, where mistaken identities and fizzy intrigue unfold to a deliriously charming score now inseparable from Vienna’s New Year’s celebrations. \n(C)2025 Thomas May \n  \n\n\n \n \n \n\n \n \n Waltzes\, Polkas\, and Beyond \n \n\n \n \n \n Johann Strauss II was born into a remarkable musical dynasty. His father had laid the foundation for the family’s association with the Viennese waltz\, transforming a popular folk dance into a sophisticated form of entertainment. But it was Johann Junior who ultimately eclipsed not only Papa Strauss but also his composer brothers\, Josef and Eduard\, in both popularity and artistic Influence. \nStrauss’s naturally flowing melodies have a way of transporting listeners straight into the heart of Vienna: savor the lyrical grace and elegance of Voices of Spring and Roses from the South. Though best known for his waltzes\, the prolific Strauss additionally composed dozens of polkas\, galops\, and quadrilles – lively dance forms that were staples of the Viennese ballroom. He captures the cheeky bustle of Viennese gossip in the Tritsch-Tratsch (“chit-chat”) Polka and conjures up atmospheric spectacle in the thunderously brilliant Unter Donner und Blitz. As for the waltz itself\, Strauss expanded it into something grander and more symphonic by adding richly orchestrated introductions\, sweeping melodies\, and dramatically contrasting interludes. His concert waltzes often weave together several distinct dance sections\, creating a seamless sequence that elevates the form from ballroom diversion to miniature tone poem. \n(C)2025 Thomas May \n\n\n \n \n \n\n \n \n The Blue Danube and a Triumphant Finale \n \n\n \n \n \n The Blue Danube – a hit at the 1867 Paris Exposition – has become the quintessential Strauss waltz. It begins with a dreamy\, choral-style introduction (whose original version in fact included a chorus) before unfolding into a sequence of five elegant waltz themes\, each with its own character\, yet artfully linked together. The Blue Danube has become virtually synonymous with Vienna itself\, though its modern fame owes much to Stanley Kubrick’s inspired decision to use Strauss’s graceful dance rhythms to accompany scenes of orbiting spacecraft in 2001: A Space Odyssey. \nBut Papa Strauss gets the final say. His Radetzky March from 1848 – written to honor a victorious general – has long outlived its military origins to become a rollicking New Year’s tradition\, complete with audience clapping and unflagging good cheer. It’s a rousing finale from the original Strauss in the waltz hall of fame. \n(C)2025 Thomas May URL:https://www.richmondsymphony.com/event/a-night-in-vienna/ LOCATION:Carpenter Theatre\, 612 East Grace Street\, Richmond \, VA\, 23219\, United States CATEGORIES:Concerts & Events,Pops ATTACH;FMTTYPE=image/jpeg:https://www.richmondsymphony.com/wp-content/uploads/2025/03/1-A-Night-In-Vienna.jpg ORGANIZER;CN="Richmond Symphony":MAILTO:patronservices@richmondsymphony.com GEO:37.5415432;-77.43695 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carpenter Theatre 612 East Grace Street Richmond VA 23219 United States;X-APPLE-RADIUS=500;X-TITLE=612 East Grace Street:geo:-77.43695,37.5415432 END:VEVENT END:VCALENDAR